Most live software treats audio as an afterthought, which is survivable for a talk and fatal for music. This has a proper desk: channel strips, groups, a headphone bus that does not change what goes out, and processing you can actually see.
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You can see what you are cutting while you cut it. Each band has its own filter shape and the curve moves with the music.
Keep a set that swings between a whisper and a drop inside something a phone speaker can still carry, without riding a fader all night.
Cut, fade or wipe between stage cameras, with scenes for the opener, the set and the encore.
Put the track and artist up as a lower third, and send the same show to YouTube, Facebook and a custom destination together.
Preview what is coming next, take it to air, and rebuild the whole layout in one click.
See it in fullA proper desk — channel strips, groups, and processing that keeps the level steady on its own.
See it in fullWheels, curves, secondaries and broadcast scopes — the grading a cinema colourist works with, running live on the graphics card.
See it in fullYouTube, Facebook, Instagram, TikTok, custom RTMP and SRT — each reconnecting on its own.
See it in fullNever stream at all if you do not want to. Record up to 4K, every camera to its own file, ready for the edit before you have packed up.
See it in fullLower thirds, tickers, countdowns, a media library — and a virtual studio that needs a green sheet and a spare room.
See it in fullPhones become cameras, guests join from anywhere, and you can run the switch from your pocket.
See it in fullOr $19 a month. A year at a time or month by month; nothing renews on its own.
Not per camera, not per destination — the whole studio.
The account is free. The licence is issued as soon as you buy, and you can be live the same day.
Buy now — $99→ Create free account